{"id":7521,"date":"2023-04-25T17:16:12","date_gmt":"2023-04-25T17:16:12","guid":{"rendered":"https:\/\/magyarpenclub.hu\/2023\/04\/25\/a-new-nest-for-the-luxurious-word\/"},"modified":"2023-11-19T11:38:46","modified_gmt":"2023-11-19T11:38:46","slug":"a-new-nest-for-the-luxurious-word","status":"publish","type":"post","link":"https:\/\/magyarpenclub.hu\/en\/2023\/04\/25\/a-new-nest-for-the-luxurious-word\/","title":{"rendered":"A new nest for the luxurious word"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\tSzab\u00f3 Ervin Library of Budapest
1088 Budapest, \u00d6tpacsirta Street 4.
\u00d6tpacsirta Szalon\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t2023. 2 May 19:00 \t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Passionate love poems, inescapable and tragic historical themes, identity, patriotism, Ettore Majorana, the mysterious nuclear physicist-figure, letters to Endre Ady, Kavafis, S\u00e1ndor Cso\u00f3ri, Thomas Mann, \u00c1ron Tam\u00e1si, G\u00e9za Sz\u0151cs, Gy\u00f6rgy Kondr\u00e1d, a narrative poem about a crash landing, a summing up of existence, landscape poems, existentialist lyrics, all with varied stylistic features and a rich art – Zolt\u00e1n B\u00f6sz\u00f6rm\u00e9nyi “Fell\u00e1zadt szavak” (Rebellious Words)<\/em> is a selection of L\u00e1szl\u00f3 M\u00e1rton’s poetry, a condensed record of decades of poetic career. Divided into eight cycles, the poet’s eight books of poems give the reader an insight into the most important themes of the poet’s creative career, from the first volumes to the most recent poems. It is important to note that the text of the poems published in “Fell\u00e1zadt szavak” (Rebellious Words)<\/em> does not match the poems published in print or online over the years, and the present versions are the final, authentic impressions.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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A poem that is able to go beyond its own meaning, to trigger something in the reader, is not born in vain. In the sprawling groves of contemporary poetry, so many exotic plants are the object of admiration, yet after a while we remember neither their form nor their scent, they fade. The reader of the moment is not looking for well-constructed metaphors, deliberate and measured lines, sparkling puns, naturalistic and stripped-down language, but for poetry that goes beyond the craft, in which language can be delicious, magical, not for details, but for the whole, for the totality, to be shown the world from a bird’s eye view. Just as S\u00e1ndor We\u00f6res, in his work of “Teljess\u00e9g fel\u00e9” (Towards Completeness),<\/em> dedicated to his friend B\u00e9la Hamvas, frees the existent from sensual splendour, so poetry must be freed from all kinds of frills and self-serving ornaments. For if not, our poem will be one of the beautiful roses of the literary grove, but after it withers, we will not remember its fragrance, nor its velvety brick-red petals, nor the thorn that tore our skin, nor the pain it caused, nor the beauty of the flower. The challenge for the contemporary poet is to create a poetic toolkit and context that avoids clich\u00e9 and pathos, and sheds new light on the poetic topos of existence, space-time, freedom, hope, fear, love, and the belief in God. We need to rethink them, because these are themes that concern us all, and they define us in terms of what we think about the malleability of time, the universe, whether there is a God, what we do in this world, and what expressions we find for love. When reading Zolt\u00e1n B\u00f6sz\u00f6rm\u00e9nyi’s poems, we are constantly confronted with the relative nature of time, as if we were travelling in a time-space ship, where we can switch from the galaxy of the past to the future and then to the present at any moment, and where everything is relative.<\/p>\n

We welcome you to the presentation with readings, music and discussion, which will take place on 2 May at 7 pm<\/strong> in the \u00d6tpacsirta Szalon of the Szab\u00f3 Ervin Library of Budapest<\/strong>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Talking to the poet:<\/h3>\n

Enik\u0151 Bollob\u00e1s<\/strong>, professor, literary historian;<\/p>\n

Eszter Laik, <\/strong>writer, editor of the book and a contributor to Irodalmi Jelen;<\/p>\n

L\u00e1szl\u00f3 M\u00e1rton<\/strong>, author of the poetry selection “Fell\u00e1zadt szavak” (Rebellious Words)<\/em>, translator;<\/p>\n

The reading will be accompanied by Bence B\u00e1nk\u00f6vi<\/strong> cello performance.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About the volume by Enik\u0151 Bollob\u00e1s<\/strong>:<\/p>\n

\n

Perhaps the most striking feature of B\u00f6sz\u00f6rm\u00e9nyi’s poetry is the way he eliminates the dichotomy of thought and emotion, and even the dichotomy of the concrete and the abstract. In his poems, the spirit and the intellect, the sensual and the passion, merge into one, confirming Paul Valery’s insight that “intellect is characterised by the constant excitement of the sensual world”, while thought is hidden in the poem like nutriment in fruit.<\/p>\n

The two ars poetica that frame the volume – “A vers” (The Poem)<\/em>and “A k\u00f6lt\u0151 tr\u00f3fe\u00e1i” (The Trophies of the Poet)<\/em> – are a statement of B\u00f6sz\u00f6rm\u00e9nyi’s principles on the value of poetic projection of life lived with passion, the supremacy of the word, and the sanctity of language and poetry. These ideas recur in other pieces in the volume, reinforcing his commitment to language and poetry. His mission as a poet, as he writes, is nothing less than “k\u00f6z\u00f6s nevez\u0151re hozni\/<\/em> arasznyi l\u00e9t\u00fcnkkel\/a v\u00e9gtelent”<\/em> (Mint f\u00e9nyrekl\u00e1mok<\/em>)” (by our existence finding common ground with the infinite, like neon signs), knowing also that “A k\u00f6lt\u0151b\u0151l is az<\/em> Isten \u00fczen<\/em>” (from the poet too, God sends a message). (“A t\u00f6rt\u00e9nelem folyos\u00f3in”<\/em> In the Corridors of History).<\/p>\n<\/blockquote>\n

Eszter Laik<\/strong>‘s thoughts on the”Fell\u00e1zadt szavak” (Rebellious Words)<\/em>:<\/p>\n

\n

It is symbolic that the title of the poem at the head of this volume, which is used as a motto, is “A vers” (The Poem). The words are not empty: the poet has lived his “flesh and blood” reality, because at one point in his life, poetry gave him a new direction and, decades later, brought him back to the reality that is truly his own: literature.<\/p>\n

The first line of this outstanding poem inevitably reminds the reader of S\u00e1ndor K\u00e1ny\u00e1di’s phrase that has become a saying: “A vers az, amit mondani kell” (Poetry is what needs to be said)<\/em>. The B\u00f6sz\u00f6rm\u00e9nyi poem goes even further: “tan\u00fas\u00e1g arra, hogy vagyunk” (a testimony to the fact that we exist)<\/em>. Necessity, in every sense. Confrontation, “the raw material”,<\/em> the engine of life. As the poet writes. “a t\u00e9r, melyben az id\u0151 az anyaggal k\u00e9zen fogva j\u00e1r” (the space in which time walks hand in hand with matter)<\/em> <\/p>\n<\/blockquote>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“A vers” (The Poem) <\/strong><\/h3>\n

Mondd a verset, hogy bel\u00e9legezhet\u0151v\u00e9 v\u00e1lj\u00e9k a val\u00f3s\u00e1g.<\/p>\n

A vers nem a hamis k\u00e9pzelet, a vers az igazi.<\/p>\n

Meg lehet tapogatni, rugdosni, szagolni, n\u00e9zni,<\/p>\n

h\u00e1lni lehet vele.<\/p>\n

A vers nem az eszt\u00e9tika vet\u00fclete egy s\u00edkidomon,<\/p>\n

hanem maga az eszt\u00e9tika,<\/p>\n

a mindig \u00fajrasz\u00fclet\u0151 forradalom.<\/p>\n

A vers a t\u00e9r, melyben az id\u0151 az anyaggal k\u00e9zen fogva j\u00e1r.<\/p>\n

A vers az \u0151sanyag, a tan\u00fas\u00e1g arra, hogy vagyunk.<\/p>\n

(A vers n\u00e9lk\u00fcl, l\u00e1tod, senkik sem vagyunk.)<\/p>\n

A vers az anyag sz\u00edvdobog\u00e1sa, sz\u00edvdobog\u00e1sunk a vers.<\/p>\n

\u0150 a megismer\u00e9s, az id\u0151ben feldarabolt jelen, a kaland,<\/p>\n

a szeretkez\u00e9s, a l\u00e1bunkra felh\u00fazott zokni, a vers a h\u00f3es\u00e9s.<\/p>\n

A vers a felszabad\u00edt\u00e1s\u00e1r\u00f3l sz\u00f3l, \u00f6nmagad szabad\u00edtod<\/p>\n

fel \u00f6nmagad al\u00f3l, a t\u00e9ged minduntalan leig\u00e1z\u00f3 val\u00f3s\u00e1gb\u00f3l.<\/p>\n

A vers a csend, a megismer\u00e9s, az eld\u00f6rd\u00fcl\u0151 \u00e1gy\u00faban a goly\u00f3.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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“A k\u00f6lt\u0151 tr\u00f3fe\u00e1i” (The Trophies of the Poet) <\/strong><\/h3>\n

Ritka szavakat gy\u0171jt\u00f6k, metafor\u00e1kat,
v\u00e1rosok illat\u00e1t,
mint ahogy Schumacher halmozta fel
versenyaut\u00f3it,
kezesl\u00e1basait, a sok tr\u00f3fe\u00e1t.
A k\u00f6t\u0151d\u00e9sek \u00e9s az eml\u00e9keztet\u0151 vaj\u00fad\u00e1sok
lila lit\u00e1ni\u00e1it.
Hiszen nem vezet-e minden ahhoz az egyhez,
a megism\u00e9telhetetlenhez \u2013, \u00e9s \u0151rzi a pillanatot,
a sz\u00e1guld\u00e1s \u00edz\u00e9t a sz\u00e1jban, a legend\u00e1kban?
Az univerz\u00e1lis mozzanatok morzs\u00e1it gy\u0171jt\u00f6getem,
a lend\u00fclet alleg\u00f3ri\u00e1it, a felmagasztalt
\u00e9s \u00e1h\u00edtott szerelmet.
Tit\u00e1nok v\u00e1ll\u00e1n mozdul
az alapjaiban megv\u00e1ltozott val\u00f3s\u00e1g,
hogy a m\u00e1gneses t\u00e9rer\u0151 arabeszkjeit,
az igazi m\u00e1st
elmondhassam,
mit soha nem sz\u00f3ltak el\u0151deim,
csak a jelens\u00e9gek tekintet\u00e9b\u0151l olvast\u00e1k ki,
mi t\u00f6rv\u00e9nyszer\u0171: egyedi evidencia,
\u00e9s nem besz\u00e9l \u00f6nmag\u00e1r\u00f3l,
de biztos,
prec\u00edz,
meghat\u00e1roz.
Csak a cs\u00f3kban \u00e9rzem ezeket az \u00edzeket,
a felbolydults\u00e1g z\u0171rzavar\u00e1ban,
az im\u00e1kban.
S ha megl\u00e1ncolj\u00e1k is kezem,
a szabadon sz\u00e1guld\u00f3
gondolattal m\u0171k\u00f6dik k\u00e9pzeletem,
\u00faj vil\u00e1got teremthetek,
\u00faj hat\u00e1rt a f\u00e9ny\u0171z\u0151 sz\u00f3nak,
dimenzi\u00f3t,
l\u00e1tv\u00e1nyt,
f\u00e9nyess\u00e9get,<\/p>\n

\u00faj f\u00e9szket a f\u00e9ny\u0171z\u0151 sz\u00f3nak.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Passionate love poems, unavoidable and tragic historical themes, identity, patriotism, Ettore Majorana, the mysterious nuclear physicist-figure, letters to Endre Ady, Kavafis, S\u00e1ndor Cso\u00f3ri, Thomas Mann, \u00c1ron Tam\u00e1si, G\u00e9za Sz\u0151cs, Gy\u00f6rgy Kondr\u00e1d, narrative poem about a crash landing, summing up of existence, landscape poems, existentialist lyrics, all with varied stylistic features and rich art – Zolt\u00e1n B\u00f6sz\u00f6rm\u00e9nyi’s volume “Fell\u00e1zadt szavak” (Rebellious Words) is a condensed impression of several decades of poetic career in L\u00e1szl\u00f3 M\u00e1rton’s selection. <\/p>\n","protected":false},"author":1,"featured_media":6885,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[168],"tags":[191,203,202],"class_list":["post-7521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","tag-book-launch","tag-music","tag-read-more"],"acf":[],"yoast_head":"\nA new nest for the luxurious word - 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